Archive for Books
Many of you rushed to your digital stores to buy Wesley Chu’s phenomenal The Rebirths of Tao, concluding volume in his award-winning Tao Trilogy.
We noticed that there was a notable error in the ebook file that made it so the Quasing speech didn’t show up in italics the way it is supposed to. We fixed the problem overnight and sent in the corrected file to retailers immediately.
However, some retailers are easier than others when it comes to getting content updates. So I wanted to provide some resources for readers to be able to make sure their ereader app/device will supply the corrected file if it hasn’t already done so:
Go to https://www.amazon.com/mycd and find ‘The Rebirths of Tao’ in your list of books. There should be a tab that says ‘Update available’ on the right-hand side of the row for that book. If you click the update tab, it will give you directions to make sure you can keep your highlights/annotations/bookmarks, and will then update the file.
Barnes & Noble Nook:
Information about updating files is not forthcoming. Contact B&N for assistance.
Sign into your account on the Kobo website, delete the file from your account. Sync your account to remove the book from your library, then go to ‘My Library>Trash’ to un-delete the file. Then when you Sync again, the corrected file should appear.
If these instructions do not work for you, please feel free to reach out to us using the contact form and a helper robot will get back to you as soon as possible.
Dear Robot Readers!
We’re all eagerly anticipating Ramez Naam’s Apex, the conclusion of the fan favorite and critical darling Nexus Arc, due on May 5th in North America in Trade Paperback and ebook world-wide.
The ebook will be arriving as scheduled on May 5th, but due to the technological and literal heft of the novel, the North American trade paperback edition of Apex will be released on May 12th, one week later than anticipated. If you’ve already ordered the paperback, do not worry! All pre-orders will be honored and filled as soon as possible, and some bookstores may still receive the book by or on the 5th. With the production delay due to the book’s size, we just couldn’t guarantee that 100% of stores would receive the book in time to release on the 5th. Our most sincere apologies to anyone inconvenienced by this delay – upgrading humanity’s potential is not always the easiest process to bring to fruition, as readers of the series well know.
But even better than an apology is a contest! Anyone and everyone who finds paperback copies of Apex in the wild should take a picture with the book and tweet it @Angryrobotbooks on Twitter or post the image here in the comments of this post. Any such picture sent by May 20th will be entered for the chance to win a free ebook copy of Apex to accompany the paperback edition. Have your camera phones and integrated retinal cameras at the ready.
N.B. The UK release date of 7th May is unchanged. European efficiency at its finest!
In spring, like so many people, one’s thoughts turn to tidying up a bit, i.e. spring cleaning. Our bristling orbital death platform has been looking a bit dusty and ramshackle of late – books and body parts everywhere, of course, but also crates of a less identifiable nature.
Right at the bottom of the most distant stack, in a wooden chest marked in a font of a distinctly pre-millenial variety (how you get Comic Sans on the side of an oak case I’ve no idea), we made a delighted discovery. In short, we found mint copies of some of Angry Robot’s releases from the very earliest days of the imprint. Very collectible, and we know we aren’t the only readers who have hung onto these original editions, even though copies are very scarce out there. It’s fascinating to see how our cover design styles have changed over the decades [ click to enlarge ]:
From the left: one of our short-lived but very collectable series of AR Doubles, from 1966 (Guy Haley’s Reality 36 on the other side, as we’re sure you remember); the first appearance of that sleeper hit Nexus, from 1974; and an example of the first Jim Moore complete repackaging programme, from 1976.
From left: powerful swords & sorcery imagery that screams 1979, also the inspiration behind Hawkwind’s concept album, released the following year; and a chance to compare and contrast UK and US packaging approaches, both from 1985.
For months, the Angry Robots have been working in secret, engineering better, stronger, more powerful publishing schemes. We’ve been patient, turning uncertainty into dedication, conscripting world-class talent into the Robot Collective.
But now, the time has come to reveal our new plans for World Domination!
That’s right, Angry Robot’s back, with two debut novels and a Mass Market re-release of one of our most critically-lauded books, all on sale in the US and CAN today.
Who says good news isn’t released on a Friday? Conflux Inc., organisers of the 2014 Aurealis Awards, have announced the finalists for this year’s awards and we are delighted to see Marianne de Pierres in the category for Best Science Fiction Novel with Peacemaker.
Judging Coordinator, Tehani Wessely, said that with over 750 entries across the twelve categories, the judges had a hugely challenging job.
“As is always the case, the judges agreed that entries were of a very high standard and the final decisions were subject to much debate among the panellists. The competition becomes stronger every year.”
The Aurealis Awards ceremony will take place on Saturday, 11 April in Canberra. Wishing Marianne, and all the other finalists, the very best of luck!
It’s all go at Angry Robot HQ as we gear up for March and our publishing reboot. We’re following yesterday’s cover reveal for Craig Cormick‘s The Floating City with the cover for the first in Susan Murray‘s intriguing medieval fantasy series, The Waterborne Blade (May 2015). If you’re a fan of Trudi Canavan, Karen Miller and Gail Z Martin, this epic fantasy title is for you, and you won’t have long to wait for the sequel as The Waterborne Exile follows in August of this year.
With a hat tip to Paul Young at Artist Partners for this fantastic cover, we present The Waterborne Blade (click to enlarge):
The citadel has long been the stronghold of Highkell. All that is about to change because the traitor, Vasic, is marching on the capital. Against her better judgement, Queen Alwenna allows herself to be spirited away by one of the Crown’s most trusted servants, safe from the clutches of the throne’s would-be usurper.
Fleeing across country, she quickly comes to learn that her pampered existence has ill-equipped her for survival away from the comforts of the court. Alwenna must toughen up, and fast, if she is even to make it to a place of safety. But she has an even loftier aim – for after dreaming of her husband’s impending death, Alwenna knows she must turn around and head back to Highkell to save the land she loves, and the husband who adores her, or die in the attempt.
But Vasic the traitor is waiting. And this was all just as he planned.
Steve Stone (Artist Partners) has done it again; we’re delighted with the cover for The Floating City, the sequel to Craig Cormick’s dramatic The Shadow Master. You don’t have long to wait, The Floating City is released in ebook and paperback formats, in North America on 2nd June and UK / ROW on 4th June. Until then, here’s the magnificent cover (click to embiggen):
The Floating City
The Floating City is in turmoil. The magical seers who protect it are being slain by fearsome Djinn that rise out of the canals at night. Members of the city’s Council of Ten are being assassinated by masked fanatics. Refugee ships are arriving, bringing plague. Othmen spies are infiltrating everywhere. New power blocks are battling for control of the city.
And the three Montecchi daughters, Giuliette, Disdemona and Isabella, are struggling with love and loss, and with much ado about being able to write their own destinies. And moving amongst them all is the mysterious and deadly Shadow Master, who seems to be directing everyone like players in a game. But as the plots and intrigues converge will he find that some things are beyond even his control?
Craig Cormick on The Floating City
“Writing the Floating City enabled me to both reveal more about the mysterious Shadow Master as well as throw in a few more secrets as well – so expect some more information, but some more mysteries. I also played with three of the original Italian stories and characters that Shakespeare adapted for his plays – and wove them into the story. This enabled me to have three very strong female protagonists – Giuliette, Disdemona and Isabella. Look for them too, but don’t expect them to be quite like Shakespeare’s characters. And I also cast into the mix some references to contemporary politics, a ripping plot line, a dash of romance, a few murders, some magic and intrigue, some biting humour – and after letting it bake, sat it on the window sill until it had cooled just a little – and I hope you’ll find it now tastes just right.”