Maurice Broaddus

“’Buyer beware’ is the cautionary theme of Maurice Broaddus’ sublime ‘A House is Not a Home’ – the standout of the collection… Broaddus’ commanding use of language coats the story with a lushness that belies its short fiction format and places it in a class of its own.”

– Vince Liaguno, Dark Scribe

“There are fewer greater pleasures in a reader’s life than witnessing a writer whose work they have enjoyed reached a new plateau in their storytelling skills, and such is the case here; with The Devil’s Marionette, Maurice Broaddus comes into his own as a writer of dark fiction. It is the brilliance we’ve all been waiting for, and Broaddus delivers in a voice that both whispers and roars and cannot be ignored.”

– Bram Stoker and International Horror Guild Award-winner Gary A. Braunbeck

The Knights of Breton Court series

King Maker – March 2010 (UK/Australia), October 2010 (US/Canada)

King’s Justice – February 2011 (UK/Australia), March 2011 (US/Canada)

King’s War – November 2011 (everywhere)

The Knights of Breton Court (omnibus) – October 2012 (worldwide)

maurice-broaddus1Maurice Broaddus graduated in 1993 from Indiana University-Purdue University at Indianapolis and holds a Bachelor’s of Science degree in Biology. He works as an environmental toxicologist for a local firm, Commonwealth Biomonitoring. He comes from a family that includes several practicing obeah (think: Jamaican voodoo) people, but is now the facilitator for the church, The Dwelling Place. He is married with two children.

His areas of interests includes religious studies, folklore, and myths. His previous book was the novella Orgy of Souls, written with Wrath James White. He says he only wants to get famous enough to be able to snub people at horror conventions.

When asked, “what kind of horror writer are you?”, Maurice said…

There are kinds of horror: atmospheric, supernatural, serial killer, splatter/”gross out” and other ways I could categorize it. But I tend to think that horror writers fall into two very general camps: traditionalists and extremists (for lack of better terms). It is the tools you use to scare that define what camp you find yourself in. Traditionalists tend to be more character driven, letting the horror arise from or intrude on the mundane. They are often more atmospheric, and explore the eerie or weird with a moral code. Oh yeah, traditionalists are good vs. evil moralists. Extremists are more visceral. Quicker to go for the blood and guts/gross out or the perverse. I’m actually disturbed by how much value-loaded (read: judgmental sounding) language I’m using, but it’s the easiest way I know to describe it. I’m more of a traditionalist, which is not to say 1) that I don’t occasionally enjoy a good extremist or 2) that traditionalists or extremists exclusively write with only that set of tools. It’s a pallette: You have a broad spectrum of colors and styles to choose from to create your painting. And sometimes it’s like your taste in music: most times I listen to 70′s R&B, but sometimes I need a little Rage Against the Machine or Dream Theater to get me going. Most times I naturally gravitate toward the traditionalist stuff – Ray Bradbury, Stephen King – but sometimes I need a shot of Clive Barker or John Shirley to shock the palate.

Meet Maurice online

More Praise for King Maker

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