Say that three times fast.
The first book in the trilogy, the amazing Stolen Songbird (a Goodreads Choice Award Finalist) is on mega-discount right now, selling for just $.99 in ebook this week.
Pick up your copy of Stolen Songbird today, or if you already have a copy, grab a copy for a friend so you can both read Hidden Huntress together. And while you’re at it, you can pre-order Hidden Huntress and get it the second the book is available.
For months, the Angry Robots have been working in secret, engineering better, stronger, more powerful publishing schemes. We’ve been patient, turning uncertainty into dedication, conscripting world-class talent into the Robot Collective.
But now, the time has come to reveal our new plans for World Domination!
That’s right, Angry Robot’s back, with two debut novels and a Mass Market re-release of one of our most critically-lauded books, all on sale in the US and CAN today.
Hello, Robot Readers!
Yesterday, Angry Robot Consulting Editor Phil Jourdan and myself took to the wilds of Twitter to join in #MSWL, a recurring Twitter bonanza where editors, agents, and publishing professionals tweet their Wish-List – the kinds of books and stories they’d love to see in their submissions. Our Fearless Leader Marc Gascoigne sent me his wish-list as well, to convey while he worked on the calibrating the Orbital Book Distribution Laser Grid.
If you’re a writer looking for a place to send your book, or a reader interested in knowing what your friendly Angry Robots are looking for next to consider for the list, wait no longer! Take a gander at the list below and be inspired.
Angry Robot is not currently accepting unagented submissions, but if you have a story that fits our wish-list, keep an eye out for our next Open Door Period and you may have your chance.
Calling US and Canadian Kindle users: for one day only, you can get the firs two volumes of the award-nominated Night’s Masque series from Anne Lyle: The Alchemist of Souls and The Merchant of Dreams, for just $1.99 each! Head over to the Daily Deal store to pick up your copies of this enchanting series.
Danielle E. Jensen‘s Stolen Songbird was one of our best-selling and most critically-acclaimed titles of 2014. So now we’re beyond thrilled to share the cover for Hidden Huntress, the second book in The Malediction Trilogy.
Warm up your Feels Capacitors and prepare for awesomeness:
Wow, right? Steve Stone at Artist Partners has outdone himself.
Here’s the cover copy for Hidden Huntress, coming June 2nd, 2015 in the US/CAN and ebook, June 4th in the UK:
Sometimes, one must accomplish the impossible.
Beneath the mountain, the king’s reign of tyranny is absolute; the one troll with the capacity to challenge him is imprisoned for treason. Cécile has escaped the darkness of Trollus, but she learns all too quickly that she is not beyond the reach of the king’s power. Or his manipulation.
Recovered from her injuries, she now lives with her mother in Trianon and graces the opera stage every night. But by day she searches for the witch who has eluded the trolls for five hundred years. Whether she succeeds or fails, the costs to those she cares about will be high.
To find Anushka, she must delve into magic that is both dark and deadly. But the witch is a clever creature. And Cécile might not just be the hunter. She might also be the hunted…
And here are the covers for Stolen Songbird and Hidden Huntress, side-by-side. You may want to borrow Cécile’s fan if you are overcome by awesomeness:
And if you’re feeling lucky, the fine folks at YA Midnight Reads are hosting a giveaway for several copies of Stolen Songbird.
Our Robotic Overlord Marc Gascoigne is quite the music fan. But he’s not the only one of our cyber-chipped legion who bops his head to tunes while plotting global domination. Caroline and I both love a good showtune (in fact, I’ve been known to blast a Broadway channel on Spotify when no one else is around in the Angry Robot Orbital HQ).
So for today, I wanted to point out some wonderful science-fictional music for folks to enjoy. Maybe you like some techno while you re-read your copy of Prometheus-Award-winning Nexus, or you’d like some epic orchestral music while visiting Raisa in The Mirror Empire. Here are some tunes to accompany your SF, F, and WTF? life:
Two Steps From Hell:
Attention, Robot Army!
The playlist is also embedded here, for your viewing pleasure. Partake of all of the robotic wisdom and wisecracking from the comfort of your cubicle, cabana, or wireless-enabled mobile artillery platform.
Last night was our fourth Angry Robot Live! We talked about Scope and Scale in Fantasy.
If you missed the live show, you can watch the whole thing here. Please note that you’ll want to turn up the volume for the first 23 or so minutes, as Kameron’s audio was soft until she switched over to a different mic.
Much fun was had by all!
During the panel, Kameron mentioned Universe Sandbox.
And this is me waving goodbye to dozens of writers reading this as they disappear for two weeks.
Paul S. Kemp wasn’t able to make the panel, but he wrote at length via twitter on his thoughts about Scope and Scale. You can read them in a Storify here.
And last, but not least, I’ve included a couple of questions below that we weren’t able to answer during the panel.
From Paul Weimer:
How does individual character creation and development change (or not) in working in different scale sizes in Fantasy?
Do you find maps, glossaries, concordances a necessary evil or a joy to create (and have readers read) in secondary world fantasy?
Do you start or approach a novel idea differently depending on whether its S&S or Epic in its scales/stakes?
Please feel free to continue the conversation here in the comments. Until next time, Stay Angry.
It’s that time again, folks – time for Angry Robot Live!
This month, we’re bringing you a discussion of Scope and Scale in Fantasy – from the intense back-alley tales of sword & sorcery to the world-breaking sagas of epic fantasy, the genre spans a huge range in terms of scope. Our panel will discuss the benefits and tradeoffs of operating at different scales, and we’ll dig into what makes tales at the different levels of scope powerful in their own ways.
The panel includes:
Kameron Hurley, Kitsschie and Sydney J. Bounds Award-winner and nominee for the Hugo, Nebula, and Locus awards. Her The Mirror Empire drops on August 26th in the US/CAN.
Anna Kashina, author of the Majat Code (Blades of the Old Empire, and The Guild of Assassins, which releases on August 5th in the US and CAN).
Paul S. Kemp, New York Times-bestselling author of Star Wars and Dungeons & Dragons novels, and the author of the Tales of Egil and Nix (The Hammer and the Blade, A Discourse in Steel).
James A Moore, author of over twenty novels, nominee for the Bram Stoker Award, and author of Seven Forges and The Blasted Lands.
The panel will be Tuesday, July 29th, at 8:30 PM EDT (5:30 PM PDT), and should run about an hour.
If you have any questions for our panelists, please feel free to post them here in the comments, tweet them with #ARLive, or join us to ask them yourself!
Tuesday 1 July marked 5 years from Angry Robot’s first books – Lauren Beukes‘ Moxyland and Kaaron Warren‘s Slights – and throughout this week we are celebrating with daily staff blog posts and giveaways! Author guest posts and other cool giveaways will be popping up on various sites so keep an eye out for our #AngryRobot5 on Twitter for new posts.
We’ve already had our Senior Editor, Lee Harris, with his Top 5 Reasons Angry Robot Rules, MD Marc Gascoigne with 5 lessons learned, and Publicity Manager Caroline Lambe with her 5 Favourite Angry Robot Characters. Next up is Mike Underwood, US Sales & Marketing Manager and his choice of giveaway is Empire State by Adam Christopher. Details of this giveaway, and why Mike chose Empire State are at the end of this post.
Hi Robot Army, Mike here.
It may not seem like it, but I wasn’t always an Angry Robot. I first discovered AR back in 2010, when my dad (a Random House sales rep), gave me a first run set of Angry Robot books as the list was launching in the US. And what I noticed, from the very beginning, were the covers and packaging. I grew up in a publishing household, and have been a SF/F reader for nearly my entire life, so I pay attention to these things.
One cover in particular stood out to me:
Moxyland, by Lauren Beukes, cover by Joey HiFi. The cover had a Cyberpunk sensibility, and the subtle but very smart design of the broken image files for the faces of the characters. It grabbed me right off and sent me to the back cover copy to find out more.
A few years later, I’d followed Angry Robot here and there, read a few books, and then I came across Empire State, by Adam Christopher (cover by Will Stahle):
Empire State was the novel I read on the plane out to interview for the job, and talked with Marc about the book, how it lent itself to the WorldBuilder program, and used that as a springboard to talk about possible future plans for Angry Robot.
Months later, when all of the surgical scars from my cybernetic sales & marketing implants were healed, we revealed this wild beauty of a cover for Chuck Wendig’s The Blue Blazes, by Joey HiFi:
Like so much of Joey HiFi’s work, the cover for The Blue Blazes is nearly fractal in its detail. Scenes are piled on top of scenes, individual scenes building to a designed cohesive whole.
Also, meat cleaver.
Just last Autumn, we put out a Big Fat Fantasy by the name of:
Heartwood, which went on to win author Freya Robertson the Sir Julius Vogel award. The cover, by Alejandro Colucci, is a big, double-decker cheeseburger of FANTASY ART. You know what you’re getting here – knights, combat, and a grand sense of scale.
And last, but certainly not least, comes a cover that has already served me very well in my efforts to spread the word of Angry Robot across North America and beyond. It hung right above my head all through Book Expo America, allowing me to answer people’s question of “what do you have coming this fall” by pointing at this piece of amazing work by Richard Anderson for The Mirror Empire:
Five years into Angry Robot-ing, I’m so very happy that a look at the cover to Moxyland put me on the path to be here, working inside Angry Robot orbital headquarters, helping new authors, emerging stars, and genre veterans get their work out into the world.
For my giveaway, I’m picking Empire State (x 5 copies), which continues to be, in my mind, one of the most Angry Robot-y Angry Robot books we’ve done.
Comment below and tell us your favorite Angry Robot cover to enter. Winners will be picked at random. Entries will close tomorrow, Friday, at 12.01pm BST, when we will have Amanda’s post with another giveaway!
For brownie points, join in our #AngryRobot5 conversation on Twitter and tell us about your favourite Angry Robot book, or if you haven’t read one yet, which you would like to pick first! Don’t forget to include us: @angryrobotbooks
At the start of the month, Senior Editor Lee Harris and Exhibit A editor Bryon Quertermous and I all climbed into our Angry Robotic jets and hurtled through the sky to Phoenix, Arizona, where we promptly melted.
End of story.
Not quite. The heat was intense, and it put our cooling systems into over-drive, but we managed to make our way to the convention center for Phoenix Comic-Con.
We had a booth in author’s alley, proud neighbors to many of the members of the illustrious Taco Chuch. We were excited to be supporting three Angry Robot authors (Wesley Chu, Jay Posey, Chuck Wendig) and one Strange Chemistry author (Danielle Jensen) at the convention, and to spread the good word of SF/F/WTF? to new readers.
Our authors had panels here and there all weekend, taking breaks by hanging out at the booth and selling books by their sheer radiant presence.
Lee Harris and I lead an Angry Robot preview panel, which has been summarized in great style here. (Highlights – interpretive dance, competitive comps, and manstresses).
Phoenix Comic-Con had a very well-designed and well-run literary track, and the staff overall did a great job, especially considering how rapidly the convention has been growing (It had 55,000 attendees last year, and 77,000 this year). Despite the brutal heat, all robot units returned home operational and ready to continue operation.