Apparently it’s Really Important to have the venerable (aka, “past it”) founder and publisher woken from his gentle slumbering in his battered but calf-soft, warmly sunlit armchair to deliver some kind of ruminations on the first five years of Angry Robot. Let’s get The Old Man to do a Top Five of something or other, they said with their kindly smiles, in their most charming “No dear, the nurses haven’t been stealing your clothes again” voices.
So having been roused I said yes, against my better judgement, and as a result here are five things that I have learned while being the Angry Robot’s hem-hem glorious leader. Sure, they are rather random but not so much in a Will this do? vein – because of course, my lovelies, you deserve the very best attention – but just more of a personal ramble through just a few things that AR means to me. Because frankly, I’ve lived through every moment of the last five years of AR and we really have rather crammed quite a lot in. That man Mr Harris has already demonstrated that, with his usual aplomb, but now it’s my turn…
TL, DR: Five years? Damn. More grooviness to come, obv.
Storytelling is all
I know we’re known for being super-different. We Robots are always banging on about Science Fiction v2.0 or that SF/F/WTF thingie. We win awards for our innovative cover designs, making our books unavoidable even from 30 metres across a crowded bookstore. We have our slogans and our clever ideas and certainly a cheeky attitude, all that.
And you know what? It wouldn’t mean a damn thing without the storytelling talents of our authors. Sure, as far as the packaging goes there is an Angry Robot house style, but not once you get into the actual words. From our earliest days to right now, you could pick out the difference between Kameron Hurley or Anne Lyle, Lauren Beukes or Ramez Naam, at a hundred paces, blindfold optional. Yes, we are Angry Robot and we’re very visible as an entity, a brand, in a way some other publishers aren’t, but we’re not homogenous, and great storytelling from individual voices will always be the heart of what we do.
Do it now, apologise later
So, we do loves our slogans, and we use them rather a lot. Sorry about that. We also use the Angry Robot brand and that logo, and consistent designs, and other similar signifiers to ensure that even if you don’t know the author, once you spot that AR logo you’ll.
I love the fact that reviewers and readers sometimes refer to our books as being “weird” or “quirky”. We’ve also read in reviews of some of our fantasies that a commentator was very surprised to read something so mainstream from AR. There’s never been a time, though, that we’ve let it worry us. We know we can publish a whole shelf-full of traditionally structured fantasies, and then stick out a book with a bright yellow cover and computer game pacing and be seen as innovators. It’s become something that’s stuck to us and we don’t mind it at all, but perhaps after 130 books we smile a little more indulgently when the Q word pops up. Every reader gets something a little different from a reading of even one book; it’s the same with its publisher.
Angry Robot has also meant different things to the different people who work or worked on it. I rather like the fact that I wasn’t that keen on a novel that has consistently remained in our top 3 sellers since it first went on sale. (No, not telling, at least not until it’s 3am at Loncon and we’re finishing the third bottle.) I was persuaded to back it, through solid reasoning on behalf of its proposer and the rest of the gang who were all for it, and their skills in spotting its potential certainly paid off. It’s good for the soul to learn something… now and again.
Or do I mean, all the time? A big part of the AR experience has never been to rest on our laurels. We were really helped when we set up by being able to address the modern business and art of publishing. If we didn’t like the traditional way of doing things, we didn’t do it.
And more, as our our bestest slogan of all has it: If it feels good, do it. Rather often this means that, over a cuppa one morning someone suggests something a bit mad, and we have already set it up and announced it before the US were even up and about. Such fun.
We are you – no, we are
The science fiction community is special in a bunch of ways, but for us one of the most bloody brilliant things is that it is participatory. There’s perhaps a sliding scale of “getting involvedness”. You don’t have to, of course. You can be a reader, occasional or a frequent, habitual user. But if you read a lot, perhaps you review too, or run a blog. Or dabble in short stories. Or are the powerhouse behind your writing group and have your first novel taking shape. In SF today’s enthusiastic readers have the possibility of being tomorrow’s star writers, and that’s lovely.
It’s another reason why our everyone-does-everything structure works well, for us at least. We’re all fans first and publishers second, not looking around with blinking eyes and a nervous duck of the head, hoping no one discovers us and boots us out as pretenders, but we never get distanced from that rush of pure passionate All-the-feels that a damn good book brings. It is a privilege to read all our many book proposals, pick the very best and bring them to the world. But don’t let that stop you buying us a beer occasionally.
Tell them about the passion
So yes, it’s all about conveying our burning passion for that storytelling. So why get in the way of that? Big publishers have a marketing department; smaller folks like us should still, the model says, have a dedicated person who handles all that sort of stuff, whether booking advertising or making posts on that there social media. They’re the experts, after all – and without wishing to get snarky, boy can one tell when an editor somewhere has been ordered to do more tweeting. But no, we don’t do it that way.
We used to say to authors, you must be on Facebook and Twitter and Pinterest and Tumblr and every other site going, and keep your website up to date too. Oh, and write your next book, of course. We learned quickly that didn’t work, so now we say do the one thing you’re comfortable with, do the one thing that you don’t stop doing. For us it’s the same – we love these books, which is why we bang on about them, whether on Twitter or at conventions, one-on-one or broadcasting far and wide. We just can’t stop ourselves.
It is the business of the future to be dangerous
You, our most beloved readers, are surely up to speed on what books are coming in the next few months from Angry Robot and Bloody hell, best season evah or what? But oh, you really should see what we have shaping up for you darling readers next year too.
In the meantime, well, AR is living through some interesting times, as you may have spotted. We recently closed our two smaller lines, after a hell of a lot of soul-searching and trying everything else we could, because they weren’t selling anywhere near enough books. Got a lot of attention, were very popular with reviewers, but no actual sales. Sounds simple when put in plain language, but making that decision was tough beyond words. And to follow, totally unconnected to the above, we’re shortly going to be a man down. Our beloved Lee Harris has rightly seized one of those once-a-decade opportunities, so in mid-August he will be off to be senior editor for the new Tor.com imprint. We’re bereft, and frankly not a little bit miffed, and so bloody proud of him all at once. It’s like losing the man next to you on the battlements.
We’ll be looking for a replacement soon enough, so get your editing shoes on and your CVs polished to an attractive shine. Then we’ll get back to concentrating on the thing we do best, making books good enough to bear that inimitable Angry Robot badge. All I can say is stick with us, as you have done so wonderfully for our first half-decade, because just like the last five years it’s going to be one hell of a ride.
PS… Marc’s giveaway
Every day our Caroline has asked us to pick one of Angry Robot’s books to give away to five lucky people. I’ve picked Carpathia by the inimitable Matt Forbeck. Well, it’s definitely not every day that one gets to give an author the idea for a novel… We have five copies for you.
To enter, simply comment on this post with your Top 5 Games – can be digital, video, app, tabletop, playground, whatevs. (Perhaps not bedroom though.) Winners will be picked at random. Entries will close tomorrow, Wednesday at noon DST, when we’ll have our Caroline’s post and another giveaway.
For extra Scooby snacks, join in our #AngryRobot5 conversation on Twitter and tell us about your favourite Angry Robot book like, everrrr, or if you haven’t read one yet, which you would like to pick first! Don’t forget to include us: @angryrobotbooks
We’ve had a small reshuffle up here in our terrifyingly gun-bedecked orbital headquarters.
Please welcome our new Publicity Manager, CAROLINE LAMBE. She’s based full-time in the Nottingham office, and will greatly enhance our book promotion and marketing capabilities, from wrangling metadata and TIs for our new sales partners Faber, to arranging reviews and bookstore events. She joins us from Liberties Press in Dublin, and we’re sure you’ll make her welcome around these parts.
In other news, DARREN TURPIN has now completed his move from a full-time to a freelance role as our website manager. He’s still lurking in the background of everything that happens on this site, just… well, over there rather than right here in our midst. ROLAND BRISCOE, UK sales maven, has moved on to pastures new, and we wish him all the very best as he rejoins the world of humans. Right, back to engineering this whole total global domination malarkey…
Damn, April already? Isn’t this year flying past? But also, that means that it’s British launch week for the wonderful The Age Atomic, the terrifying Black Feathers and the incontinence-inducing hilarity of The Marching Dead.
That man Joseph D’Lacey has been hither and thither promoting his book in the UK, and many thanks to Blackwells and Big Green for letting us hijack your stores. Black Feathers is getting raves everywhere right now:
• The mighty Tor.com said the novel is “an exceptional piece of apocalyptic/horror/fantasy fiction”, which is true.
• Upcoming4Me rather agreed: “a refreshing take on the whole post-apocalyptic genre and a great introduction to the writing of Joseph D’Lacey”.
• SciFi Now magazine gave it a half page and said the novel “artfully weaves a tale of destruction and rebirth”.
• Head to Popcorn Reads for a review and a chance to win an advance proof: “I loved this novel, despite the fact that it gave me chills and some bad dreams.”
• … or Book Bones Buffy, who also has a proof to give away, to celebrate “a story that is irresistibly addicting.”
• Fantasy blog Draumr Kopa recommended Black Feathers “to anyone who wants a more intelligent story, with lots of secrets and mystery, people who don’t mind a little thinking while reading.”
• And Then I Read a Book were blown away by the book: “It terrified me, made me angry, made me sad, transported me somewhere new and yet strangely familiar, and hasn’t left my head yet. It combines mythology, folktale, shamanism, coming of age and apocalyptic themes to create something very special.”
• And Stanley Eriks concluded by saying: “Black Feathers is an original and intelligent apocalypse story. It’s a myth-filled fable of the end of the world on an individual basis. It’s a coming-of-age story set on a cruel and broken Earth.”
The inimitable Lee Battersby has returned, bringing hapless half-dead Marius don Hellespont with him in The Marching Dead, the sequel to The Corpse-Rat King:
• Kate Of Mind blog loved loved loved it, giving it “all the stars” and saying “With this sequel, Battersby kicked up everything I loved about the first novel by a notch or two – world-building, storytelling, hilarity, and most of all, characters who just made me punch the air over and over again, usually while laughing.”
• Don’t forget you can get a taster in the form of an exclusive short story, Lying Like Cards, right here on this very website.
The tireless Adam Christopher was out and about promoting The Age Atomic, the two-fisted follow-up to Empire State. Thanks to Forbidden Planet in London for a fab launch event this Thursday – we rocked the joint, again.
• The book was an April pick for Kirkus Reviews, which was nice.
• A Writer’s Sidequest said it is “a glorious and joyous ode to the pulp science fiction of old. Awesome fun, from start to finish, just straight up, pure entertainment.”
• Adam was interviewed on My Bookish Ways, who also have a copy to give away too, so hurry over there!.
Upcoming debut author Wesley Chu continues to wow folks with the breakneck thrillride that is The Lives of Tao, out in May.
• Wes had a guest post on The Qwillery this week to talk about the first time a novel really spoke to him.
• I Will Read Books had this to say: “By the end of the books I was close to tears, which proves my emotional investment in the characters and their fates. I wish every book made me care about the characters as much as The Lives of Tao.”
• Over at Tome of Geek, Wes managed to overcome their usual aversion of genre mash-up novels: “We get the full sci-fi feeling combined with the spy genre without either side getting diluted or ignored. We get the full effect and in turn get a character we care about.”
Emma Newman, despite losing her wisdom teeth this week (wishing you a speedy recovery, Em), was still full of the joys of Between Two Thorns.
• Her guest post on The Creative Penn talked charmingly about urban fantasy, as a genre, its influences and its many strands.
• And finally, blog heavyweights Fantasy Faction gave the book nine stars out of ten, saying: “If you like a bit of fairy magic, the juxtaposition between ancient and modern, here and there, and you don’t mind being left in suspense for a good few months, you’ll really enjoy it.” (They’re going to be overjoyed when they hear that the sequel, Any Other Name, will be out in June then!)
In the UK, we’re delighted to announce that our books – AR, Strange Chemistry and Exhibit A alike – are going to be represented by that most beloved of publishers Faber, as part of their Faber Factory Plus sales team.
This will mean we have better coverage across the whole of the UK, as well as Ireland and into Europe too. We’ll have more reps on the ground telling your favourite local bookshop about our great novels, and increased coverage for libraries as well. As you may well have seen, to support this properly, we have also been expanding our publicity capabilities, recruiting a new, full-time Fiction Publicity Manager. They will work with authors and stores to promote the books across the country. We’ll have more news on that appointment shortly.
All round, this is a big deal for Angry Robot, Strange Chemistry and Exhibit A, and we should see its effects almost immediately. In the UK, authors will find there are more invitations to events and signings than before, and you’ll meet some of the reps at upcoming conventions like Eastercon too, as they are enthusiasts like us.
Ian West, head of the FF+ team, said: “We are particularly delighted to be working with Angry Robot and the Osprey group, who have consistently been ahead of the game and breaking new ground in the ways they bring writers and readers together.”
So there you go – we’re increasing our reach across the UK and Ireland, making it easier to buy our books in your local shop, month in, month out. Can’t be bad. Now for cake.
Angry Robot’s swathe of cool genre imprints is in need of a lively PUBLICITY MANAGER. The aim of this job is to work with our divine authors, our favourite bookshops, our lovely bloggers and the Robot Army, and our fab distributors who link this all together, to promote the hell out of our books.
Duties include arranging signings and store promotions, placing reviews and articles online and in print, blogging and attending events. You’ll also be making sure all the metadata that feeds all this activity is both correct and snappier than an alligator at lunchtime.
Don’t delay – the closing date is noon GMT on 25th March 2013. More details, including how to apply, after the jump:
I wouldn’t claim it’s the longest gestation in history, but I can say that today all the hard work and surprisingly proficient swearing behind the scenes getting everything ready is realised… for our first two Strange Chemistry titles are officially on sale today! (Um, in the USA and Canada, that is, with the official UK date this Thursday… but frankly most UK shops have them out on shelves already, bless ‘em.) Read More→
Cassandra Rose Clarke is already setting the imaginations of YA bloggers and reviewers aflame as her Strange Chemistry debut, The Assassin’s Curse starts shipping out to stores for its October launch. Here at Angry Robot we’re readying the second stage of her plans for world domination with a heartbreakingly wonderful novel of love, loss and robots, The Mad Scientist’s Daughter.
Set in a collapsing future America, the novel tells of Cat. When she is a young girl, her father brings an experimental android to their isolated home to serve as her tutor. Finn stays with her, becoming her constant companion and friend as she grows to adulthood. But then they take the relationship much further than anyone intended – which ultimately threatens to force them apart forever.
This unnerving but deeply sensitive mix of science fiction speculation and heartfelt emotion demanded a very different cover approach for us. As you can see, designer Stewart Larking came up with the goods in a lovely understated, almost melancholy style. The Mad Scientist’s Daughter will be published by Angry Robot in February 2013. We cannot wait for you to read it.
Madeline Ashby‘s sublime science fiction novel vN is, even as you read this, powering in vast container lorries to every corner of the globe, ready for its publication at the start of August. Madeline herself has been out and about talking about the genesis and writing and themes of her book, so we thought it would also be interesting to catch up with the guy who did that amazing cover, Martin Bland.
We’d seen his work on Gavin Smith’s military SF novels for Gollancz, and marvelled at some stunning darkly futuristic work displayed on his website. He was surely the go-to guy for this job, and that turned out to be exactly the right decision. He kindly clambered up from his underground bunker to answer a few probey-probey questions…
What do you call yourself – graphic artist, illustrator, designer, part-time spacecadet, etc?
Just “Artist”. I have a hard time cornering myself into the usual suspects, and ‘visual storyteller’ doesn’t look great on a business card. Part concept artist, part illustrator, part fine artist; it’s easier to cut out the niches than to try and find one.
How did you get into “all this”?
Natural progression, I was always creative, loved my pencil work when I was younger, fell into the social chasm for ten years, then was offered the chance to find something I loved doing by my wife, worked my way through design, photo manipulation, web design and eventually found my stride in painting. It felt right straight away. Taught myself the basics, and continue to teach myself every day since.
What’s your balance of artwork – covers, graphics, editorial, personal stuff, etc?
I have worked in just about every area at some point, collaborated with some great people in most fields of art, magazine ad campaigns, album design, game concepts, portraiture etc. I do favour cover jobs though, CD and book, as I love to tell a story in a single image rather than a progression or sequence, and like a healthy balance between work and personal (personal turns into work with print sales).
What’s your typical approach to a piece, if you have one? Computer or sketches?
90% of any image I do is mental, I think a lot about how I am going to construct, and often see a completed image in my head long before pen touches surface, then it’s usually digital, blocking in large areas and refining details as I go, using form and values; I don’t tend to start with a sketch (in the traditional sense of the word, line art), a more organic approach works better for me.
Do you typically like a brief stuffed with detail, or the freedom to do whatever you want?
A bit of both really, it’s important to be able to visualise someone else’s idea, so the more information you get, the easier it is to nail it first time, I like a lot of visual stimulus, style guides. Setting the mood is more important than the details of subject matter. A good amount of freedom is always nice to have but I like to get the sketch stage down, and agreed upon, before I get to play around myself. That way, the changes are taken care of before the refining; it streamlines the process, I have enough of a library behind me for the client to know they will be getting my usual standard or better.
And how did you work on vN particularly?
It was a dream brief. I was given choice, style sheets, and a detailed description, and also a lot of freedom and trust in the later stages, Madeline had built a very believable world, rich with detail, so the excerpts I received were easy to absorb, and Marc’s art direction was great. Madeline had written somewhere that when she saw the cover, she saw Amy (the protagonist) – there’s no better feeling than that.
What’s a typical day, if you have one?
I’m a full time Dad, so my typical day is rather boring, full of homework and school runs, I fit my work around my son, and work from home, so it’s definitely not as “rockstar” as I’d like to imagine it is, I also procrastinate far too much… ooh, a biscuit.
Are you much of an SF fan yourself?
I’d like to say no, but all evidence points to yes :-). I like gritty, dark worlds that you can relate to and instantly believe, so I love the Blade Runner, Event Horizon, Dark City side of sci-fi, the Asimov side. I’m not the hugest fan of anything in particular, but I think that in itself adds a more unique twist to my own work in the genre, as I try my best to approach subjects with a fresh perspective – there are a million paths to tread but only one is mine.
What would you kill to illustrate?
My own IP. I have a project that hasn’t been put down to paper properly yet, a novel/screenplay/movie that has garnered interest from a couple of major movie studios, and almost optioned, just on the strength of the few images and brief idea/backstory pitched. I would love to bring it to fruition one day; illustrating/producing a movie based on my own art would pretty much be the pinnacle of my existence, and would make my kid proud.
Anything you really hate/struggle with drawing?
Not as far as subject matter goes, I can handle pretty much anything. If I can imagine it, then I can paint it, in my own style. I’ve painted everything from angels, to death metal covers, from an English country garden to a huge Yeti. I have been asked to take on work in other styles, and have struggled with it before, like colouring line art, or very technical perspectives and constraints. (I was once asked to paint, from imagination, a 20mm aperture lens view; couldn’t fathom that one, as I am not a camera.)
For vN you went absolutely bananas building robot fragments in the computer; is this sort of thing conducive to your mental health?
Well, they say the devil is in the details, so I’m probably 80% evil :-). I love getting stuck into it, if I’m honest. The best way to get someone to spend more time looking at an image is to pack it with detail, more to discover, and it gets quite cathartic after a while, you lose yourself, I haven’t noticed any problems yet. *twitch*
Tell us about five (or more) cool things – music, movies, comics, books, toys, whatever…
I do have quite a cool collection of tiny things, as I’m a sucker for detail – like a penny, with a bone-handled knife carved out of the middle and sat perfectly back into its hole, and a 2mm high, full colour printed book. I’ve got a couple of 6mm Bibles too, a bag of 1.5mm glass marbles. I’ve amassed quite a good gathering of very unusual miniatures. I’m also very good at collecting dust, and empty Pepsi bottles.
Which other artists do you rate?
I tend to rate the art, rather than artists, as the best can have an off-day, and the worst can produce a masterpiece. I see hundreds of images each day, and collecting the best of them has turned into a bit of a hobby. I have folders packed with inspiring imagery from every level of artist.
Do you have any other skills? What would you do if you didn’t do this?
I would always have to have a creative outlet of some sort, I do a bit of everything: sculpture, photography, traditional, so I think I would always gravitate towards making things look good. I was a manager/lithographic printer for 10 years too, so at the very worst, I could fall back into that, but it would have to get quite bad, haha.
And what are you working on next (don’t worry, we won’t tell anyone)?
I’ve just acquired a small stock of giclée poster prints so I’m currently approaching galleries and organising shipping and framing options, starting to turn what I do into more of a legitimate business, expanding that side – but also working on more covers, and also trying to pump out a few personal images as I feel like I’ve been neglecting that side of things this year.
Click on any image for a larger version – and see a hell of a lot more great artwork at Martin’s website, spyroteknik.com
We don’t always blow our own trumpet, so having spent a few, slightly tedious hours on a very hot day assembling the latest batch of samplers of some upcoming Angry Robot titles, we thought it worth reminding all you deeply lovely AR readers that we do, as standard, offer a free excerpt from every single one of our books.
There’s a lot of talk about eBook piracy at the moment. And there are all sorts of reasons. Some of them – “I like having stuff for free, so I’m going to take it; I’ll never get caught” – are a little hard to help with, short of some ghastly state surveillance program which nobody much wants. Others, though, we understand and we’re keen to help with if we can.
Ebooks are expensive - well, ours are always priced below their comparative physical fellows. We still have to pay for editing and proofreading, design and all that, but we’ve knocked off the cost of printing for you. (And don’t forget that at the moment, in the UK eBooks are subject to 20% VAT where print books aren’t.)
I can’t get them in my country - actually, you can buy our eBooks, DRM-free, from any country in the world. We also release our editions through all major eBook outlets, in as many countries as we can but notably across North America and Europe, in the same week.
I only wanted to read a sample, see if I liked it enough to buy it… – And here we are. That’s why we’re very happy to sit here on a sweltering day preparing more natty little 50-page selections from our upcoming releases for you.
Below the jump (or further down the screen if you’re not on our homepage at the moment) you’ll find a selection of our recent excerpts, each one inside a cute little app thing. Take them, host them on your own site if you like (it’s very easy, and makes your blog look grrrreat), send them to your mates, share them wherever. Then check out the individual book pages here on the site for samples of our entire range.
And if you like the free samples we give you, you might even want to buy our lovely books, which you can do over at The Robot Trading Company (our very own webstore) or your regular eBook or pBook retailer of choice.
[Image Credit: Rather fabulous pirate kindle blatantly nicked from bookish.livejournal.com - no accreditation given there, so if it's yours, please let us know and we'll either add in a credit link or take it down...]
Please N.B. – We first posted this job advert back in March, but weren’t quite able to find the perfect person to hire, so we’re re-advertising now…
Angry Robot are expanding again, and as a result we are announcing a new and exciting vacancy. As part of our ongoing growth in the US and Canada, and the imminent arrival of our YA imprint Strange Chemistry and our Crime imprint Exhibit A, we are looking for a North American Sales & Marketing Manager.
This person will be a brand champion, liaising with the passionate souls that are the Angry Robot editors to ensure that the expert sales team at our distributors, the mighty Random House, have all they need to sell our books. Based in the US, they will use their experience of book sales and marketing channels to ensure that the delights of AR’s range are promoted to our distributors, wholesalers, stores and readers. They will in turn feed back on-the-spot information about the local market and as a key member of the Angry Robot gang help decide which books go into our ranges, with the express intention of making our books and their sales better than ever.
The role will be based on the East Coast – probably in the offices of our parent company, the Osprey Group, in Long Island City – but we may be able to be flexible for the right candidate.
If you are interested, please apply with your CV/resumé and salary expectations to Marc Gascoigne, care of incoming [at] angryrobotbooks.com or via our Contact page. No snailmail applications, please. Don’t delay – the closing date is noon GMT on 28th May 2012.
Some days a new piece of fantasy art comes in that is so lush, so lovely, so chock full of detail that we just have to look, and look, and look. We get a wistful, faraway look in our eyes, and occasionally a small gobbet of happy drool will emerge from our admiring mouths.
Such is the case here, a wonderful illustration by Angelo Rinaldi for David Tallerman‘s upcoming Easie Damasco novel, Crown Thief (October 2012). Look upon its manifold wonders and marvel. Also, click to get a better look at that insane detail. Then click again for even more.
Now if you’ll excuse, we need to go and make ourselves presentable again.