Archive for November, 2010
Angry Robot Advent Calendar
Posted by: | CommentsWhat the headline says, really – see that number grid just to the right? That’s our Advent Calendar, and we have some treats in store for you every day from December 1st, right the way through to Christmas Eve – original short fiction, comic strips, recipes, photos, features…
We really are too good to you, you know, but we think you’re worth it!
Come back on Wednesday for the first treat!
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(If you’re reading this blog entry after December, 2010, it’s not going to make much sense as the Advent Calendar image will have been removed. Unless you’re reading this in a post-2010 December (assuming we’ve done something similar), in which case – whoa! coincidence, or what!)
Gary McMahon Interview
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At World Horror Con, earlier this year, two of Angry Robot’s finest* met for the first time, and as so often happens when folk have their first chat, it was recorded for your edification.
So, head on over to Andy Remic’s website for his mini interview with Gary McMahon.
I think a bromance is developing…
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*finest what we’re not saying.
Thank You, Nameless Librarian
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As you may know, us Robots are (mostly) based in the UK rather than the US, so we don’t get a day off for Thanksgiving today. However, I always liked the idea of taking time out to count one’s blessings and give thanks for the positives in life. So today I want to give thanks to a nameless individual who… well, whose fault this all is.
I grew up in Cliftonville, a decaying Edwardian seaside resort down on the pointiest bit of the pointy end of Kent. Nearest big town was Margate, our less gentile slum-on-sea neighbour, home to Kiss Me Quick Hats, tooth-glomping rock, and the occasional discreet stabbing in the penny arcade. In summer it’s full of sunburnt scumbags, in winter it’s shut. (TS Eliott wrote large sections of The Waste Land sitting in a seaside shelter there. That title says it all.) Thank whomever you pray to, therefore, for the local library.
I was always a reader, and by the time I hit eleven and Big School I had already found and devoured Tolkien. For some reason, having only found The Two Towers in stock I’d started the trilogy with book two and read to the end, and only later read all three in order. I’d been blown away by Helm’s Deep – to such an extent that to this day I still have immense problems not ripping that whole buns-and-fireworks debacle out of the front of The Fellowship.
When I hit twelve, I’d finally finished ploughing through all of that and had started looking around for more. Just then, the library gave out a series of handy free bookmarks. Simple things they were, befitting the pre-computer age, just typed and duplicated lists of interesting books in different categories cut from larger sheets of thin white card. I nabbed the SF & Fantasy one, and started investigating. On one side, there were some genuine classics. Tolkien was there, with both The Hobbit and LOTR, and that was probably why I picked the thing up in the first place. Also listed there were Asimov, Clarke, Heinlein, Wells, James Blish, Edmund Cooper, Pohl & Kornbluth.
But on the back, under the heading “Further Out”… Ballard, Dick, Angela Carter, Vonnegut, Moorcock, Anthony Burgess, William Burroughs. Holy fuck. I still can’t believe they did that, but I’m so glad they did. The list looked more inviting, somehow, than that on the front. So I checked out High Rise and the short story anthology Low-Flying Aircraft. Devoured them. Came back in a couple of days for Cat’s Cradle, which I must have read in some kind of trance, because I’d dreamt details of it for fifteen years without ever recalling its title, till I finally rediscovered it in my late 20s. And then Angela Carter’s very erotically tinged Passion of the New Eve, which earned me a raised eyebrow from the woman behind the counter I still remember today. I read everything they had of those other authors, and when I finished Behold the Man, there on page 2 of that fine novel was another list, this time of all of the interconnected Eternal Champion books, from Corum to Cornelius, and I was off again…
It took me most of a decade to finally get around to checking out more of the books on the other, traditional side of that bookmark. Still never read much Asimov to this day. That’s not the point though. For me, all it took was a list saying, in essence, “You liked that one? You like cool stuff, huh, kid? Well lookee here, there’s more. Why not try these…”
On the back of every Angry Robot book (almost), there’s a panel that says just that. This week, Keith over at Adventures Fantastic blog commented on this, saying:
“The thing that impresses me about Angry Robot providing these lists is that the books aren’t just by them. To recommend your competitor’s books takes a lot of class.”
That’s very kind, but we don’t do it for that reason. We do it because, well, how can we not? We’ve all recommended books to each other, given a tiny portion of the passion a book engendered in us to someone else as a gift. This is just an extension of what you’d get if we saw you for a beer and the conversation turned to that wonderful exchange of Cool Stuff We’ve Been Digging that results.
So anyway, because it’s Thanksgiving and Keith had me thinking about it again this week, I just wanted to say Thank you! to That Nameless Librarian way back then. You set me off on a wild adventure that continues to this day.
Introducing the new Angry Robot digital short story store
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Consider the following statements:
- 1. We love short stories
- 2. You love short stories
- 3. Many of our authors write short stories
Put them together, and what do you get? That’s right – the Angry Robot Short Story Store.
Here’s the official Press Release type thing, but what it boils down to, is: From December 1st you can buy short stories (or “Angry Robot Nano Editions”) by our authors from our online eBook store (www.angryrobotstore.com) – at realistic prices. And if you buy lots, you get great discounts!
Digital publishing – it needn’t be rocket science…
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PRESS RELEASE
On December 1st 2010, Angry Robot will be launching “Nano Editions”. Exclusive to the publisher’s own webstore at angryrobotstore.com, Nanos are digital short stories by Angry Robot novelists, sold at sensible prices in ePub format, ready to load onto the world’s most popular eBook readers.
Most Nanos will be in the 5,000 – 15,000 word range. Shorter works than that will be automatically bundled with another story to ensure value for money.
Talking of which – stories will cost just 59p each (approximately US $0.95). Readers can bundle a collection of any 10 by any combination of authors, for only £3.49 (US$5.59). The files will be DRM-free and available worldwide. If demand for the stories takes off, AR plan to also sell them via eBook retailers.
Angry Robot Editor Lee Harris said, “Publishing is changing, but our role as publishers remains the same – to find cool stories and bring them to readers. This is another step in Angry Robot’s ongoing plan to embrace the new opportunities digital formats provide – and an excellent way for readers to sample unfamiliar authors, without breaking the bank.”
Authors included in the Nanos series include multi-million-selling novelist Dan Abnett and award-winning short fiction authors Kaaron Warren and Aliette de Bodard, along with many others. We will have at least 30 Nanos available for the December 1st launch, with more added at regular intervals.
Angry Robot Podcast #5
Posted by: | CommentsIn this episode we interview Tim Waggoner and Gary McMahon, Angry Robot authors who present urban fantasy and horror to our readers.
Our contest this month is for both of the books featured! Listen to find out how you can win! Entries should be emailed to podcast@angryrobotbooks.com.
Theme song courtesy of John Anealio, find more of his awesome science fiction-themed music at SciFi Songs.
Subscribe to the podcast via RSS feed or via iTunes.
Podcast: Play in new window | Download
Author Signings and New Reviews
Posted by: | CommentsA few signings coming up:
First up, Andy Remic (author of Kell’s Legend and Soul Stealers as well as a bunch of stuff for other folk). Andy will be popping into Waterstones, Lincoln this Friday (12th November) to sign some stock. He’s not doing a formal signing, as Katie Price (the model formerly known as Jordan) is doing one, instead. So, do pop along – he’ll be happy to chat and sign something for you.
Staying with Rem for the moment, he’s also involved in a three-way (signing) with Frazer Hines and Sam Stone at Bookmark - an independent bookstore on The Crescent in Spalding. That’s from 11am-1pm on Saturday 20th November.
A little further down the line, Pretty Little Dead Things author Gary McMahon will be signing with fellow horror scribes, Paul Kane and Joseph D’Lacey at Waterstones, Nottingham on Friday 10th December. Tickets are £3 (redeemable against books bought on the night) – and the first 20 ticket purchasers will receive a free book on arrival! Gore-off is at 6.30pm! To reserve tickets call: 0115 948 4499 or email:events@nottingham.waterstones.com
And a new review has just come in:
SFX Magazine says of Pretty Little Dead Things:
“A scene where Usher is menaced by hooded figures is vividly executed… there’s some genuinely revolting material.”
the mood in Gary McMahon’s Pretty Little Dead Things is heavy with grief, foreboding, and the taint of weird magic, and it’s so thick you can stir it with a spoon. It’s the taste of ash in your mouth, and it’s absolutely delicious…
It’s the graveyard atmosphere and the strong, credible emotions of the main character that will leave Thomas Usher indelibly inked on your consciousness.
5 *****
Harbinger of the Storm and Colin Harvey videos
Posted by: | CommentsAliette de Bodard has created a rather wonderful trailer for her new book – Harbinger of the Storm (Obsidian and Blood, Book II).
And Colin Harvey (author of Winter Song and Damage Time) was recently interviewed by Cheryl Morgan for Salon Futura Magazine. It’s a really good interview – watch it here.
Your Monday Linkages of Joy
Posted by: | CommentsIt’s been over a week since we’ve shared with you some of the ever-growing lists of positive reviews of Angry Robot books we get to hear about, so for your delight and delectation, here is a small sampling of recent coverage:
First up, A Fiction State of Mind hasn’t actually reviewed any of our titles, yet, but they admit to being fascinated by our lineup, and have listed four of our books as being on their wishlist. Well, Christmas is just around the corner…
SF Powerhouse, Cory Doctorow recently reviewed Lauren Beukes’ Zoo City over at BoingBoing:
The story writhes back and forth like the best noirs, Chandleresque, but filled with unknowable magic and set in an ultra-gritty Jo-burg that makes District 9 look like a holiday camp.
Zoo City is a fabulous outing from an extremely promising writer… [The book] has so much fabulous wordplay, imaginative settings and scenarios, and such a dark and cynical heart that I was totally riveted by it.
Sticking with Lauren for the moment, The Brooklyn Rail (Critical perspectives on arts, politics and culture) takes a long, hard look at Moxyland:
For a white South African novelist to not explicitly mention race, yet at the same time make it utterly central to her work, is not exactly unheard of; but in Moxyland, Lauren Beukes bleeds her characters of color as effectively as the smear masks they wear for anonymity, not for simple provocation, but to warn of the self-replicating nature of segregation.
… Few end their entertainments so cold-bloodedly and so well.
fresh and terrifying
And there’s a great feature on Lauren, at The Daily Maverick:
In real life engaging with her is just as much of a trip as is reading her books. The request for an interview is met with delicious introspection that feels like tumbling down a rabbit hole or being seduced to take the red or the blue pill. Like turning the first page of her novels. You know it’s going to mess with your mind, will become a compulsion, but there’s only one way to go. Further and further into world of Lauren Beukes.
Over at Antibacterial Pope, author Nick Cato has this to say about the astonishing King Maker by the equally astonishing Maurice Broaddus:
KING MAKER’s strength is its ability to stay true-to-life even when the fantasy components come into play; the reader has enough time to get invested in the urban drama yet won’t find anything goofy when dragons, cannibals, and mystics are hinted at and eventually encountered.
The Art of Fear
Posted by: | CommentsArt and literature have always gone hand in hand. Pretty Little Dead Things author, Gary McMahon, describes some of his influences from the painted world.
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The Art of Fear by Gary McMahon
I’ve been thinking a lot lately about how much my writing has been influenced by paintings and artists. I’ve always been inspired by art – despite being a bit rubbish at it – but only recently has that inspiration come fully to the surface, in terms of having a direct and recognisable effect on my stories. Without going into too much academic detail and running the risk of boring everyone to tears, I’d like to take this opportunity to doff my cap to a few of the late, great artists who have poisoned my mind, but in a good way…
In Pretty Little Dead Things I reference Hieronymus Bosch’s glorious triptych “The Garden of Earthly Delights”. The array of grotesque yet strangely alluring images in the painting triggered images in my head as I wrote a pivotal scene near the end of the book, when my character Thomas Usher steps through the looking glass and literally enters another world…a realm manufactured by an antagonist known as the Pilgrim. The detail in the painting is amazing, and as a whole it seems to reflect some nightmare I never had but somehow retain a trace memory of…
Again, in the sequel Dead Bad Things, the art world rears its head. Francis Bacon’s terrifying rudimentary creatures in “Three Studies for Figures at the Base of a Crucifixion” actually appear in the finale – at least one of the characters thinks they do, as these images are the only visual reference he has available for what he is seeing. My friend and fellow horror-head Adam Nevill also references Bacon in his recent novel Apartment 16 (one of the best genre releases of 2010, in my opinion), but in Adam’s book the artist’s imagery has seeped into the pages and become something new, something that’s almost more distorted and terrifying in the literary form.
Salvador Dali also plays a large part in what I write. Not consciously, or as obviously as those mentioned above, but his presence is always there, at the back of my mind, leering at me over his big daft moustache.
Another great surrealist was Max Ernst, and his remarkable cut-and-paste graphic novel “Une semaine de bonté” has prompted certain images in a trilogy of horror/urban fantasy novels I’m currently writing. Victorian-magazine images of men with the heads of birds, well-dressed ladies with huge black wings, and dragons sleeping on drawing room floors…it’s all utterly bonkers, but also really rather splendid.
And then there’s René Magritte, whose images have surely influenced every horror writer who has ever seen them. His classic 1937 painting “La reproduction interdite” (“Not to be Reproduced”) particularly stands out as a visual representation of the moods of unease, dread and dislocation a lot of modern writers of weird fiction (myself included) are trying to reproduce in their prose.
Finally, I’d like to take a moment to appreciate the American artist Edward Hopper, who helped provide the entire cinematic genre of film noir with a visual framework. His lonely subjects stuck in forlorn urban and rural locations, emotionally pained women lounging in beds and easy chairs in empty rooms, fedora-wearing men sipping coffee in quiet night-time diners, all contribute to the mood and air of noir – that beautiful yearning quality in monochrome films about damaged people caught up in damaging situations. It’s Hitchcock on canvas, Fritz Laing in oils. Brilliant stuff.
I see and hear a lot of modern authors talking about how films have influenced their work, but it’s rare that a writer stops to appreciate how the art world has penetrated their creative process and given birth to images they might otherwise never have produced. Personally, I bow before these and other mad, bad visionaries, and hope to keep learning from the body of work each of them has left behind.
UK November releases in the shops today!
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Gary McMahon’s superior horror novel Pretty Little Dead Things hits the shops today in the UK. Thomas Usher has a terrible gift. No, it’s not a pair of Argyle socks from his favourite aunt – he can see the recently departed, and it’s rarely a pretty sight! (Much like Argyle socks.) It is an excellent read, and we can’t recommend it highly enough!
If you’re more of an SF or thriller fan, Matt Forbeck’s Amortals is the book you’re looking for – set in a future where government agents have their minds downloaded into a clone of their own bodies when they die in action, our hero must discover who killed him – and why! If you’ve not come across Matt before, learn all about this creative powerhouse in this new interview.
Both titles are available now in the UK (Go. Buy!), and will be available in the US and Canada from December 28th.
Our US November titles have been out a week, of course, and the great reviews continue to roll in.
Take City of Dreams and Nightmare by Ian Whates, for example. Temple Library Reviews describes the magnificent city of Thaiburley as:
the most amazing and mind-blowing cityscape I have yet encountered.
Meanwhile, in Hub Magazine:
although, the mystery is solved in the end, allowing the book to stand along, there is so much material here and so many wondrous things suggested and alluded to that I, for one, await the sequel eagerly. However, before then, it demands another reading.
In the final analysis, Whates’ imagination is energetic and enchanting and similarities to the novels of Ian Watts, Michael Moorcock, China Mièville, and Mervyn Peake inevitable.
Oh, and as an added bonus, there’s a great interview with Amortals scribe, Matt Forbeck, over at Clan Elves of the Bitterroot:
Q: What inspired you to write this story?
A: There’s a horrible kind of film made called snuff films, which feature real people being killed. I wondered what it might be like for someone to watch himself being killed and what that might lead him to do if he could return after that.
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Disclosure: Angry Robot Editor, Lee Harris, is the publisher of Hub, though he has no involvement with the content of the reviews posted in the magazine.


































































