Archive for April, 2010
An Evening with the stars and SFX
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Fancy mingling with some of the brightest stars shining in the SF literary firmament? Well, now’s your chance!
On Monday 10th May at Waterstones, Piccadilly, SFX Magazine are hosting an event to celebrate the launch of their SFX Summer of Reading.
Angry Robot’s very own Dan Abnett is one of the special guests. Also present will be Adam Roberts, China Miéville, Graham McNeill, Michael Cobley, Stephen Hunt and SFX Magazine’s Dave Bradley.
A mass signing session will take place from 5.30-7.00pm, after which there’s a special VIP Party, and you can win tickets! Yes, you! Yes, even though you’re wearing that (but do wear something clean on the night).
Head here for full details, and click through to the (ridiculously easy) competition area.
Angel of Death – Review and Interview
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The interview is with Angel of Death‘s author, J Robert King, not the actual angel of death. That would be a real coup!
Over at Temple Library Reviews they have some very nice things to say about one of our favourite supernatural serial killer books of recent years:
I suspected “Angel of Death” would be brilliant, because after all we are talking about Angry Robot Books
Aww, shucks…
I am at a loss of words. “Angel of Death” is the book you hold, no clutch, until your eyes smart, you can’t really focus on the words and you are not sure whether you are making any progress, because it’s way past your bedtime, but it’s too good to put the book down. It’s the fever that gets you slowly, the first pages spreading the infection. Then you begin to sweat as the suspense solidifies the breath in your lungs. You shiver as the good parts creep in, a bit too macabre, a bit too monstrous, a bit like watching something you morally shouldn’t be, but you are and, guess what, you love it, because it’s crass, forbidden and perverted. And because it is safe too. After all, this is fiction.
Grade: [A+] A must-read.
The site also interviews Rob about Angel of Death, and about writing in general. It’s a great interview, and well worth 5 minutes of your time.
Temple Library Reviews: I dig serial killers and the Son of Samael was a thrilling character to read. How many hours did you invest in your research to bring such realism to the image of a serial killer?
JRK: I read quite a few true-crime books—bloody and horrible—and then channeled the rest of it. It was alarming to me how easy it was to slip into the serial-killer mindset. You would think that that thought process would be totally alien to a normal human being, but it is not. Here’s a little thought experiment that will make all of your readers think like a serial killer with just the substitution of one word.
All right, here’s the normal-person passage:
“I couldn’t believe it. I spread my towel out on the beach, and there was this super-hot woman sitting on a towel near mine. She looked at me. I could tell she was into me. I smiled, and she pulled down her bikini top, showing me her tan line and a little more. I got up from my towel and sat down on hers to find out what I could give her.”
Now, here’s the psycho passage, with just word substituted.
“I couldn’t believe it. I spread my towel out on the beach, and there was this super hot woman sitting on a towel near mine. It looked at me. I could tell it was into me. I smiled, and it pulled down its bikini top, showing me its tan line and a little more. I got up from my towel and sat down on its to find out what I could give it.”
You see, changing ‘her’ to ‘it’ dehumanizes the other person. When the main character perceives another person in the story as a thing, all interactions become monstrous. Sadly, this very thing happens not just in the minds of serial killers but also in those of politicians and scientists and businesspeople and your next door neighbor. That’s what this book is about.
An a little bit of Angry Robot luurve…
Temple Library Reviews: Now let’s shift the focus to Angry Robot Books. As you might know I have an imprint crush, so to say, on these guys [plus the authors, always the authors] and I want to know how the authors see their publisher. What’s the best thing to come to mind about Angry Robot Books?
JRK: Angry Robot is a dream come true not only for editors and authors but also for readers. You strip away all that corporate crap that keeps churning out crap, and you get real writers communicating with real readers. How could you ask for more?
*sniff* It’s so nice to be appreciated…
Some Monday Linkages
Posted by: | CommentsGood morning! How was your weekend?
To kickstart your week we have a couple of Angry Robot linkages:
Over at Pointless Philosophical Asides we learn that:
Although Moxyland is full of racy cutting-edge culture, it’s message is ultimately that of grumpy old men everywhere. The short-view of youth sees only the waves crashing in, while from the long view of decades one begins to see that these have nothing against the power of the tides. Instead of being a frightening possibility of the future, it becomes a description of the eternal way of the world.
It’s a great piece, but be warned: there are major spoilers.
Meanwhile, over at the Apex Blog, you can read Part 5 of Jesus and the Eightfold Path by Lavie Tidhar, and help some stranded volcano victims in the process…
Jesus versus the Volcano
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This is one of those “hour of need” posts. I was going to paraphrase Lavie Tidhar, but why bother, when he’s such a great writer?
Two months ago Liz and I moved to Israel for the first time. We were getting married (‘At last!’ as friends were heard to comment) and we wanted it to be a special occasion, with many of our friends and family. Our wedding was a simple affair in Cyprus (we can’t legally get married in Israel, thanks to Israel’s medieval religious law) followed by a large party on the shores of the Sea of Galilee back in Israel. We had just moved into our new apartment, a one-bedroom place in Jaffa, and were looking forward to seeing all our guests, finally getting the promised sofa cushions, and then settling into a new life together – in my case writing the third book I’m contracted for with Angry Robot Books.
We had a wonderful wedding. We had a wonderful party. Our amazing friends came from all over – people we’d met in Russia, in Vanuatu, in England. Liz’s mum came, and our friends who have a gorgeous four year old kid, Jack (the life and soul of any party). Our teacher friends came from London, and our friend Rob, last seen in Africa fifteen years ago, flew in the day before to surprise us. So many people came, to be with us and travel around for a few days and go for a drink or a meal and celebrate.
Then came the volcano in Iceland.
And now our wedding guests, our lovely, patient, wonderful guests, are stuck in Israel.
Through no fault of their own. And they have to get back – to jobs, and houses being renovated, and children left behind – and they can’t.
Lavie and his guests need your help.
Please, please, please head on over to the Apex Blog to read the rest of this post, plus the first instalment in Lavie’s Jesus and the Eightfold Path and see how you can help.
Your start-of-the-week catch-up
Posted by: | CommentsWe’re currently smack-bang in the idle of London Book Fair, and though flights in and out of the UK are rarer than a terrifying vampire, it sems to have kicked off well.
In weblnd, of course, things are running quite nicely.
If you’re a Twitter fan, and follow William Gibson (@greatdismal) you may well have seen him tweet about Lauren Beukes’ Moxyland:
“Moxyland” does lots of things, masterfully, that lots of sf never even guesses that it *could* be doing.
Praise doesn’t get much better than that!
Being dead is clearly no barrier to having your own website. If you’re a fan of Tim Waggoner’s wonderful Matt Richter series (beginning with Nekropolis), head on over to the new, official site: www.nekropoliscity.com – book trailer, blog (from Matt’s point of view) and more…
Spellmaking has a review of Mike Shevdon’s urban fantasy, Sixty-One Nails:
I was hooked and I’m very much looking forward to reading the next volume in the sequence when it appears. If you’re a fan of UF – or even if you’re not – I’d recommend this book.
Meanwhile, not content with writing some of the bloodiest – and most thrilling – fantasy sequences currently being published, Andy Remic has turned his talents once again to video. Here’s his latest offering: a taste of what’s to come with Soul Stealers, the sequel to his epic fantasy debut, Kell’s Legend. Click on the image to launch.
Aliette de Bodard’s Servant of the Underworld continues to impress. At Speculative Book Review we learn:
From page one I was drawn into Acatl’s world… a remarkable historically-based fantasy, using the myths and legends of the Aztec people as a background to a twisting murder mystery.
The World House – Competition Result
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Oh, you lovely people have been so patient while we deliberated over the many (and enormously varied) entries into our recent competition base around The World House.
You may remember the competition:
Write a short story about any subject you like. The only rules are:
1) It has to be 13 sentences long
2) The first word of the first sentence must begin with T, the first word of the second sentence must begin with H, the first word of the third sentence must begin with E, and so on, so that the first letters of the sentences, printed one under the other, spell out “THE WORLD HOUSE”.
Guy Adams, author of the wonderfully mad The World House judged the entries, and read every one personally. In Guy’s own words:
Judging this was hard. Entering it was harder. I’m not great at writing short stories, they always end up far too long. Still, I hope I have some idea as to how the really good ones work (whether capable of turning that knowledge into practical use or not). Certainly I’ve read enough of them.
The problem with a number of the entries – and I sympathise having done it myself – was the urge to structure the stories like a joke. Roald Dahl was great at the twist, the punchline, that left an extra dose of relish after reading. It’s not an easy skill and sometimes the entries worked too hard at presenting a punchline at their conclusion. A punchline that rarely paid off (though an entry about flying pigs came close!). Another predictable issue was garbled sentence structure, forced to start a sentence with a certain letter made for a contorted read at times.
And the winner is… [insert drumroll here]:
Adam Christopher, with Forevermore:
FOREVERMORE
by Adam Christopher
Though he knew it was a great honour, that his name would live forevermore in the annals of Empire, he was afraid.
Honour. Even as the conveyor belt carried him and the other volunteers across the threshold and into the Factory proper, the word tickled him. While it wasn’t the most important thing for him, not really, it meant everything, the whole world, to his family.
“Order, prosperity,” his father said, eyes wet with tears. Repeating the Oath of Empire on Ascension Day, over and over, as he stood by his son at the recruitment desk on the hot summer morning, made him feel part of the day, part of history, proud of his King and his firstborn son. Like father, like son, like the generations of firstborn before them, volunteering for service on the most patriotic day of the year was not just a duty, but destiny itself.
Destiny. He laughed, even as the doors of the Factory closed, even as its great engines sprang into life, filling the cavernous space with a sound as loud as the war that had raged in the upper atmosphere for centuries, the war he and his fellow recruits would be shot into in a manner of minutes. Oblivious to the pain and the horror, fear now removed by the hypnotic gas that flooded the Factory, he smiled and laughed as soft flesh was flayed from bones and his flabby, organic limbs were replaced with strong, mechanical components. Unlike his father and grandfather, Edward had volunteered for the cavalry, knowing that this would involve augmentation before battle, but the honour it brought would be all the greater.
Spacefall was swift, the rockets in his legs propelling him out of the factory and into the sky a scant second after the final robotic prosthesis had been grafted into his nervous system, shooting him directly into the front lines where the battle raged.
Edward, firstborn, smiled and laughed as he blasted the enemy with his gun arms, and laughed and smiled as he died, blown into a million shards of metal and flesh that rained down through the stratosphere just ten seconds into his glorious, honourable service in the name of the Order, Prosperity, and Empire.
Congratulations, Adam – we’ll be in touch about your prize!
Angry Robot in Publishers Weekly (again)
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That man Lee Harris pops up in this week’s Publishers Weekly, the essential journal of the American publishing industry, in a piece focussing on several of the new genre imprints that have emerged over the last year. We get a good proportion of the air time, too, in a piece that is positive about those brave enough to launch a new imprint in such topsy-turvy times.
Yet again, too, a non-British interviewer has picked up on the fact that Angry Robot books with non-white characters actually dare to have those characters featured boldly on the front. Once more, our Lee expresses our bemusement that a publisher would do anything else. For myself, I find myself wondering what images American moviegoers have been faced with on the movie posters advertising Will Smith and Denzel Washington movies in recent years – surely the US poster for I Am Legend doesn’t show a non-big-eared white guy? Or is it just on the covers of books, arguably the last bastion of mature culture, that some American publishers feel unable to feature black people? Robot he say: Does. Not. Compute.
Pinky and the Brain have moved into publishing
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Once again you have Mr Guy Adams to thank for today’s post heading. He’s talking about Angry Robot, of course, but just as importantly you can read his latest interview at Graeme’s Fantasy Book Review:
GFBR: When you started writing ‘The World House’ which came first, the world or the plot?
Guy Adams: The world. Whenever I write plot tends to come last. I always start with ideas and flavours, maybe even little scenes — and I do visualise those in movie terms. For The World House it was the House, it’s thick, carpeted corridors, marble busts and the flickering gas lamps. Then there was an image of walking into a room and seeing — just beyond the persian rug and wing-backed chairs — a mountain stretch up towards a ceiling obscured by clouds. Then there was a girl finding the box on a cliff top. Then cellars that stretched for miles, old New York docks, all dark, stained bricks and dripping water.
Meanwhile, over at Dark Fiction Review, Angry Robot author Gary McMahon is interviewed about various things. Co-incidentally, he seems to be reading the same book as Guy, according to both interviews.
You’re having an extraordinarily busy year so far. Book deals with both Angry Robot and Solaris, The Harm being published by TTA Press just in time for WHC; you must be writing round the clock to keep up with all of this? What’s an average writing day like for you?
I have a day job and a family (our son is just six years old), so I basically write at night, when everyone else is in bed. It’s tough, because that’s my least creative time of day, but when needs must… Things are particularly difficult now that I have proper professional deadlines to meet, but, hey, it’s better than sitting on your arse watching TV.
Both interviews are well worth checking out.
Slights – Best Novel Award
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Slights has been garnering critical plaudits since its publication in July last year. It was recommended for a Stoker, shortlisted for an Aurealis award, and we recently heard it’s longlisted for a British Fantasy Award.
Yesterday the Australian Horror Writers Association announced the winners of their annual Shadows Awards, and we are delighted to be able to tell you that Slights won the Best Long Fiction category.
So, congratulations to Kaaron Warren - extremely well deserved.
Were you one of the few?
Posted by: | CommentsQuite a few people emailed us to tell us that they actually believed yesterday’s April Fool gag (Kell’s Legend – The Musical), which surprised us, while at the same time giving us a warm glow, inside.
The same thing happened last year, and our announcement was somewhat… sillier…
Click here to remind yourselves of last year’s gag.
Oh, and Happy Easter! We’ll be back in the office next week.

































































